 |
      
|
   |
| 2008 exhibitions | 
|
|
|
 |
To Use, To Enjoy
This exhibition features a selection of approximately ten objects that were made for ordinary utilitarian purposes, but through the prism of time, have come to be appreciated for their extraordinary age, rarity, and inherent beauty. more > >
|
| 2007 exhibitions |
|
|
|
 |
Chato: Ceramic Teaware This exhibition is focused on the ceramics used for tea ceremony from Momoyama Period (1568-1615) and Edo Period (1615-1868). more info |
 |
Munakata & His Circle The work of Shiko Munakata (1903-1975) with the work of his friends in the Mingei movement, including Yanagi Soetsu, Hamada Shoji, Kawai Kanjiro, and Serizawa Keisuke. more info |
| 2006 exhibitions |
|
|
|
 |
Japanese Ceramics: Blue & White New York Asia Week, September 15 – 27, 2006 Ryo Iida Asian Art and Scholten Japanese Art are pleased to present their fourth exhibition together: Japanese Ceramics: Blue & White, featuring a selection of approximately 50 examples rendered in the blue & white palette. The show focuses on porcelain produced for the Japanese domestic market from the mid-17th century to highly polished pieces of the late 19th century Meiji Period. more info |
 |
Kaiseki: Stone on the Stomach, Feast for the Eye March 28 - April 8, 2006 Ryo Iida Asian Art and Scholten Japanese Art are pleased to present their third exhibition together: Kaiseki: Stone on the Stomach, Feast for the Eye, featuring a selection of over 20 ceramic vessels that were made and actually utilized to serve meals and drinks during a kaiseki meal. more info |
| 2005 exhibitions |
|
|
|
 |
Kitaoji Rosanjin (1883-1959): From the Kitchen to the Kiln September 19 - 30, 2005 Kitaoji Rosanjin is respected as a multi-talented artistic genius of the 20th century, the self-proclaimed 'greatest master' expressed himself in several media including calligraphy, engraving, painting, lacquer and perhaps most famously, ceramics. The show includes over 20 ceramics pieces together with one woodblock printed self-portrait. more info |
 |
Suiboku: Water & Sumi Ink March 26 - April 3, 2005 Ryo Iida Asian Art and Scholten Japanese Art are very pleased to be offering an exhibition of Japanese ink paintings during New York's March- April 2005 Asia Week. This small but select exhibition includes five suiboku (monochrome) paintings: one painting by Kano Motonobu and four paintings of the Sotatsu school. In addition to the group of ink paintings, the exhibition will include a selection of lacquer and ceramic objects to complement the studied mood of the show, including an 18th century lacquer ink stone box (suzuribako) with a decoration of a rooster under a crescent moon. more info |
| 2003 exhibitions |
|
|
|
 |
Highlights from Scholten Japanese Art March 15 - Apri1 2, 2003 This spring, Scholten Japanese Art proudly presents Highlights from Scholten Japanese Art, a collection of Japanese works of art, including folding screens, paintings, woodblock prints, lacquer, netsuke and inro. The works selected for this exhibition reflect some of the finest objects from our collection. more info |
| 2002 exhibitions |
|
|
|
 |
Art of the Samurai Oct 15 - Dec 6, 2002 This fall, Scholten Japanese Art proudly presents a collection of Japanese armor, helmets, clothing, sword guards (tsuba), and other fine works of art relating to the samurai. As collections of Japanese armor and art of the samurai are rarely seen outside of museums, this exhibition will surely arouse the historian in all of us. more info |
 |
Autumn Leaves: Japanese Works of Art September 14 - October 1, 2002 In conjunction with New York's September 2002 Asia Week, Scholten Japanese Art is proud to present Autumn Leaves: Japanese Works of Art. Inspired by the Japanese love of nature and appreciation of seasonal changes, the exhibition will display paintings, lacquer, screens, woodblock prints, netsuke, and kimono-all suggesting autumnal images. more info |
 |
A Midsummer Night's Dream: Courtesans, Heroes and Waterfalls June 5 - August 15, 2002 Take a stroll with Utamaro's exquisite beauties, come face-to-face with Kuniyoshi's Suikoden warriors and make a pilgrimage to Hokusai's magnificent waterfalls. Join us for a comprehensive selection of Japanese woodblock prints spanning three centuries and fifteen artists: from ukiyo-e's earliest pioneers, Suzuki Harunobu (ca. 1724-70) and Torii Kiyonaga (1752-1815), to the premier shin-hanga artists, Hiroshi Yoshida (1876-1950) and Ito Shinsui (1898-1972). |
 |
Modern Landscapes Modern Beauties:
The Woodblock Prints of Ito Shinsui (1898-1972) March 20th - April 20th, 2002 In conjunction with New York's March 2002 Asia Week, Scholten Japanese Art launches an exhibition of the modern print artist Ito Shinsui entitled Modern Landscapes, Modern Beauties: The Woodblock Prints of Ito Shinsui (1898-1972). This comprehensive show spans the entire career of this quintessential shin-hanga (lit. 'new prints') artist, who achieved great success in the United States during his own lifetime as the result of two landmark exhibitions dedicated to shin-hanga artists held in 1930 and 1936. more info online exhibition |
 |
International Asian Art Fair March 22 to March 26, 2002 Lincoln Center for the Performing Arts Damrosch Park West 62nd Street, New York City more info |
| 2001 exhibitions |
|
|
|
 |
Sex in the City: Japanese Erotic Prints November 3, 2001 - February 15, 2002 Scholten Japanese Art presents a collection of shunga (lit. spring pictures), otherwise known as erotic prints. This show runs in conjunction with the new publication from Hotei Publishing, Japanese erotic prints: shunga by Harunobu and Koryusai, written by Scholten Japanese Art's Netherlands Representative, Inge Klompmakers. Many of the prints featured in this book will be on view as part of this exhibition, as well as works by additional artists. more info online exhibition |
 |
Expressions of Style: Netsuke as Art September 20 - October 20, 2001 This fall Scholten Japanese Art will be holding an exhibition of important Japanese netsuke from private collections. Not only will this be the first major exhibition of this art form to ever be held in a New York gallery, it will also be the first major selling exhibition ever to be held within the continental U.S. A fully illustrated color catalogue of over 200 netsuke is available to accompany the exhibition. more info online exhibition |
 |
Natsu: A Japanese Summer June 1 to August 15, 2001 Scholten Japanese Art moves into summer with a timely exhibition entitled Natsu: A Japanese Summer. Just as all four seasons are very important in Japan, each resonating with its own special traditions and iconography, summer (or in Japanese natsu) is typically meaningful. Scholten Japanese Art invites you to view a collection of works that depict the summer season through either representation of typical clothing or activities, or by association through the relatively cooling aspects of fans or water. Perhaps just the sight of a lovely young woman in summer kimono depicted in a ukiyo-e print will provide a similar antidote to the New York summer. more info |
 |
Delicate Divide: The Art of the Japanese Screen March 21, 2001 to April 21, 2001 The exhibition is inspired by the byobu, or the folding screen which is implied as an "enclosure" or a "protection against" (byo) the wind (bu). The exquisitely painted Japanese screen was an integral element of Japanese architecture and played a central part in Japanese life. more info |
| 2000 exhibitions |
|
|
|
 |
The Beauty and Her Realm December 1, 2000 to February 28, 2001 This exhibition is inspired by a complete collection of woodblock prints by Keisai Eisen depicting the bijin or Japanese beauty. The accompanying works of art are associated with the daily life of the Japanese beauty; such as hair ornaments, tebako (lacquer cosmetic box), fumibako (letter box), and an elaborate lacquer bento (lunch) box. more info |
 |
Scholten's Inaugural Exhibition The opening exhibition was celebrated on September 20th with a gala reception with over 400 collectors, scholars, and dealers of Asian art in attendance. The works of art selected for the opening exhibition represent some of the finest artists, schools, and genres of Japanese art. The 90 objects on display included: 36 netsuke, 20 inro, 12 lacquer boxes including a spectacular writing box and table set; 19 woodblock prints; as well as a select group of paintings largely reflecting the Edo period (1603-1868). |
