Woman in Snow
printed with baren swirls in the sky and kara-zuri ('blind-printing') of the snow on the ground; with artist's monogram FC followed by Tokyo 1915, with publisher's round Watanabe seal above
15 3/8 by 6 7/8 in., 39.2 by 17.4 cm
Although he was happy with his collaborations with Capelari, the publisher Watanabe Shozaburo (1885-1962) was looking for something more Japanese for both his export and domestic markets. Watanabe approached another young artist, Hashiguchi Goyo (1880-1921), one of the top graduates of the Tokyo Bijutsu Gakko (Tokyo School of Fine Arts). Here was a Japanese artist who was trained in Western-style painting, who happened to be a very serious student of classical ukiyo-e (having written monographs about three important artists). Watanabe convinced Goyo to collaborate on a single print of a beauty in 1915, but apparently Goyo, trained in the Western style with emphasis on individual creativity, was not comfortable with working with a publisher (perhaps Watanabe in particular) and opted to go his own way and self-publish thereafter.
Merritt, Points of Contrast, 1993, pp. 32-35 The New Wave, 1993, pp. 45-46, and pp. 209-210, no. 288 Yokohama Museum of Art, Eyes Towards Asia: Ukiyo-e Artists from Abroad, 1996, p. 75, no. 73-a Koyama Shuko, Beautiful Shin-hanga: Revitalization of Ukiyo-e, Tokyo Metropolitan Edo-Tokyo Museum, 2009, pp. 265-267
Scholten Japanese Art is open Monday - Friday, and some Saturdays by appointment only
Contact Katherine Martin at
(212) 585-0474 or email
to schedule a visit between 11am and 4pm preferably for no more than two individuals at a time.
Visitors are asked to wear face masks and practice social distancing at their discretion.
site last updated
January 21, 2022
Scholten Japanese Art
145 West 58th Street, suite 6D
New York, New York 10019
ph: (212) 585-0474
fx: (212) 585-0475
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