Kobayashi Kiyochika, 1847-1915
Self-made Men Worthy of Emulation: no. 7, The Renown Archer Minamoto Yoshiie
(Kyodo Risshi no Moto: Minamoto Yoshiie)
embellished with a dusting of mica in the background, the series title, Kyodo Risshi no Moto, in a banner above the composition framed by a decorative brocade border, signed Kiyochika with artist's seal Kiyochika, with a stylized cartouche on the bottom margin with the design number, 7, the publication date to the right, on todoke Meiji jukyunen (registered Meiji 19 ) and to the left, Gako ken shuppan Ryogoku Yoshikawacho 2-banchi Matsuki Heikichi ban, published by Matsuki Heikichi of Daikokuya, 1886
oban tate-e 14 1/4 by 9 3/8 in., 36.3 by 23.9 cm
In 1885, the publisher Matsuki Heikichi IV (Matsuki Toko, 1836-1891) of Daikokuya began issuing a collaborative series featuring heroic men and women from history and modern times who demonstrate admirable qualities. The series title has been read variously as Kyodo risshiki, Kyodo risshi no motoi, and Kyodo risshi no moto; while there are no fewer than eight translations into English, including, Instructive Models of Lofty Ambitions, Heroes and Heroines of Moral Tales, Foundations of Learning and Achievement, Paragons of Instruction and Success, and so on. While the table of contents for the series lists 50 designs, there are 58 designs recorded. Seven artists contributed to the series, with Kiyochika providing the most designs at 20, and his student Inoue Yasuji (1864-1889) completed 13 designs. Considering Kiyochika's upbringing within a samurai family and his own experiences in battles during the Boshin War, one could imagine he found the theme meaningful. At the conclusion of production in 1890 the publisher was recognized by the government for producing such a worthy project.
This print illustrates the famous archer Minamoto Yoshiie (1039-1106) who was known in his own time as 'the samurai of greatest bravery under heaven.' In one famous account, depicted here, Yoshiie was en route to a battle when he noticed a flock of geese rising from a field. Suspecting that the enemy was hiding in the grasses, he sent his men to rouse them where they found more than thirty lying in wait. His cunning understanding of military strategy earned him the respect and gratitude of his men.
Julia Meech-Pekarik, The World of the Meiji Print: Impressions of a New Civilization, 1986, p. 122 (on series)
The Lavenberg Collection of Japanese Prints (myjapanesehanga.com)
Edo Tokyo Museum, accession no. 96200372
(inv. no. 10-3264u)
Scholten Japanese Art is open Monday - Friday, and some Saturdays by appointment only
Contact Katherine Martin at
(212) 585-0474 or email
to schedule a visit between 11am and 4pm for no more than two individuals at a time.
In order to adhere to New York State guidelines visitors are asked to wear face masks and practice social distancing.
site last updated
August 5, 2020
Scholten Japanese Art
145 West 58th Street, suite 6D
New York, New York 10019
ph: (212) 585-0474
fx: (212) 585-0475
Join our mailing list...