fl. ca. 1764-1789
Courtesan and Samurai at the New Year
from an untitled series; a young courtesan wearing a furisode auspiciously decorated with cranes lies backwards on top of a samurai who stimulates her with his fingers, behind their heads is a lacquer stand heaping with mochi (rice cakes), a food associated with the New Year, his sword is in the foreground and they are framed by sliding door panels and a folding screen, ca. 1774-75
oban yoko-e 9 7/8 by 14 3/8 in., 25 by 36.5 cm
Koryusai was the first artist to embrace the oban format for shunga by depicting larger figures (with more dramatically exaggerated genitals). His voluptuous lovers fill the compositions which were usually framed with strong diagonals defined by low walls, sliding doors and folding screens.
Highlights of Japanese Printmaking Part 4: Shunga, Scholten Japanese Art, 2014, cat. no. 29
Richard Bru, Erotic Japonisme: The Influence of Japanese Sexual Imagery on Western Art, 2014, p. 102, cat. no. 106 (Museum of the Far East, Brussels, MEAH-6311)
Scholten Japanese Art is open Monday - Friday, and some Saturdays by appointment only
Contact Katherine Martin at
(212) 585-0474 or email
to schedule a visit between 11am and 4pm for no more than two individuals at a time.
In order to adhere to New York State guidelines visitors are asked to wear face masks and practice social distancing.
site last updated
July 10, 2020
Scholten Japanese Art
145 West 58th Street, suite 6D
New York, New York 10019
ph: (212) 585-0474
fx: (212) 585-0475
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