Mirror of Pine Needle Positions: Opposing Mirrors
(Ehon matsuba kagami: awase kagami)
attributed to Katsushika Hokusu; a samurai wearing travel attire including hempen (straw raincoat) and a tenugui (cloth towel) protecting his head makes love to a courtesan on a tatami mat under a thatched awning, a snow-speckled umbrella leans in the corner to the left; embellished with metallic printing on the brocade of her unraveling obi and with karazuri ('blind printing') of the wave pattern on her white collar, ca. 1822
oban yoko-e 9 7/8 by 14 5/8 in., 25 by 37.2 cm
This may be a courtesan with her mabu (secret lover); in the dialogue the man declares: "I captured you and brought you here, near the Azumabashi." The Azuma Bridge on the Sumida River connected the Asakusa and Honjo neighborhoods during the Edo Period. Although this print has been attributed to Hokusai or Shigenobu, more recently, Hayashi and Shirakura attribute this print to Hokusu, another follower of Hokusai.
Highlights of Japanese Printmaking Part 4: Shunga, Scholten Japanese Art, 2014, cat. no. 42
Fukuda Kazuhiko, Ukiyo-e no higi ga, 1978, p. 105 (attributed to Hokusai)
Chris Uhlenbeck and Margarita Winkel, Japanese Erotic Fantasies: Sexual Imagery of the Edo Period, 2005, p. 175, no. 64
Hayashi Yoshikazu, Edo ehon meisaku shiryo sen, n.d.
Shirakura Yoshihiko, Eiri shunga ehon mokuroku, 2007, p. 79
price: $ 4,500
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