The Mirror of Backstage in Full Bloom: Bando Hikosaburo V
(Hanazakari gakuya no sugatami: Bando Hikosaburo)
signed Kunichika ga with Toshidama seal; with publisher's seal, Bun, Tsujibun han, Yokoyamacho Sanchome (Tsujiokaya Bunsuke), block carver's seal Asakura Hori Man, and censor's date seal Usha-roku aratame (year of the ox , sixth month, examined), 1865
oban tate-e 14 1/8 by 9 5/8 in., 35.9 by 24.3 cm
Bando Hikosaburo V (1832-77) in his backstage dressing room is seen in the reflection of a rectangular bronze mirror with black and gold lacquer frame and several tie-dyed handling cloths draped around the edges. He wears a blue and indigo dyed cotton yukata, and regards himself with a notably serious expression with his arms crossed over his chest and his hands tucked inside the sleeves. His dressing table holds containers of cosmetics and brushes, and hanging against the wood wall in the background are banners decorated with calligraphy and an extension of wavy black hair. Hikosaburo V was a major kabuki actor in the mid-19th century who could play virtually any type of role or gender whose talent was often compared to that of his rival, Nakamura Shikan IV (1831-1899).
Nobutaka Imamura, ed., Ukiyo-e (Kunichika), Kyoto University of Art & Design, March 2018, p. 10, no. 17
Amy Reigle Newland, Time Present and Time Past: Images of a Forgotten Master: Toyohara Kunichika, 1999, p. 79, cat. no. 45 (for another print in this series) Waseda University Theatre Museum, acquisition no. 007-267 and 120-0255
(inv. no. C-1267)
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site last updated
July 10, 2020
Scholten Japanese Art
145 West 58th Street, suite 6D
New York, New York 10019
ph: (212) 585-0474
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