signed Toyokuni ga within the artist's toshidama cartouche, and signed Kunihisa (Utagawa Kunihisa II, 1832-1891) within the inset landscape cartouche; with publisher's seal Jokin (Joshuya Kinzo of Shofukudo) and censor's date seal Uma-go (year of the horse , 5th month)
oban tate-e 14 3/4 by 10 1/8 in., 37.5 by 25.6 cm
Naito Shinjuku, founded in 1698 by a group of brothel owners to be the first stop on the Koshu Highway, was well situated as a center of prostitution. Named for the daimyo Naito, who's estate occupied the land used to found the town, Naito Shinjuku had a rather rustic reputation. In one scene of the kabuki play Kinkin sensei eiga no yume (Master Kinkin's Dream of Glory), an inured geisha compared the courtesans of Naito Shinjuku to "flowers blooming in the horse droppings of Yotsuya." This imagery became literary convention, as the Meiji haiku poet Naito Meisetsu (1847-1926) wrote "Ah, Shinjuku! On the horse droppings, morning frost."
Henry D. Smith II et. al., Hiroshige: One Hundred Famous Views of Edo, Brooklyn Museum of Art, 1986, cat. no. 86 (re: Naito Shinjuku)
Museum of Fine Arts, Boston (mfa.org), from the Bigelow Collection, accession no. 11.15352
price: $ 700
Scholten Japanese Art is open Monday - Friday, and some Saturdays, 11am - 5pm, by appointment.
Contact Katherine Martin at
(212) 585-0474 or email
to schedule a visit.
site last updated
February 18, 2019
Scholten Japanese Art
145 West 58th Street, suite 6D
New York, New York 10019
ph: (212) 585-0474
fx: (212) 585-0475
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