Combing her hair
with blue bokashi background of baren sujizuri; signed Kotondo ga, with artist's bird seal (Torii), Kamisuki (hair combing) embossed in lower margin, with publisher's limited edition cartouche on verso, Ikeda hanken shoyu, hyaku mai kagiri zeppan, -- kai dai -- go (copyright Ikeda, edition limited to 100, -- printing, -- number), with artist's seal Kotondo, ca. 1933
dai oban tate-e 18 3/4 by 11 3/4 in., 47.5 by 29.7 cm
This impression compares closely with the impressions illustrated in Kindai Nihon hanga taikei and The Female Image- with the dramatic gradation of the bokashi and baren sujizuri (swirls) and the use of silver mica on her ring. In contrast, the impression illustrated on the cover of the Beniya catalogue has a darker bokashi background without significant baren swirls, touches of pink on the blossoms of the yukata, and yellow mica on the ring.
Kat˘, Junz˘, comp.,Kindai Nihon hanga taikei, 1975-76, Vol. 3, pl. 112
Reigle Stephens, Amy, gen. ed., The New Wave, 1993, p. 203, pl. 270
Gallery Beniya, Torii Kotondo, 1995, p. 11, no. 2, and cover
Reigle Newland, Amy, and Hamanaka Shinji, The Female Image, 2000, p. 137, pl. 184
Scholten Japanese Art is open Monday - Friday, and some Saturdays by appointment only
Contact Katherine Martin at
(212) 585-0474 or email
to schedule a visit between 11am and 4pm preferably for no more than two individuals at a time.
Visitors are asked to wear face masks and practice social distancing at their discretion.
site last updated
May 25, 2023
Scholten Japanese Art
145 West 58th Street, suite 6D
New York, New York 10019
ph: (212) 585-0474
fx: (212) 585-0475
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